I remember bookmarking Brigette Romanek’s house after I spied the climbing wall she built in her daughters’ room in Arch Digest. Thankfully, I never showed it to my son because I know that’s all he’d beg for till the end of time. While Brigette’s home is actually a piece of major Hollywood rock n’ roll history (apparently it was a recording studio at one point and every musician you could possibly name has once partied here), it’s the first place Romanek put her unique design perspective to work and it launched her business, Romanek Design Studio.
That’s why it doesn’t surprise me that this self-taught designer’s business is flourishing. In less than two years, Romanek has been name to the AD100 List and is currently juggling more than a dozen projects across residential, commercial and hospitality. She designed the first LA boutique for clothing brand The Great and Chef Ludo’s restaurant Petit Trois and even a home for Queen Bey and JayZ, among many other projects.
But I’m particularly enamored with Brigette’s own abode. It’s another amazing example of how you don’t have to let your space’s architecture limit your style. You might think a house this grand has to be traditional, formal and stuffy. Instead, Romanek has created a perfect mix of vintage and contemporary design pieces – think Jean Royère, Apparatus Studio, Pierre Jeannert, Knoll, Faye Toogoode and more all mashed together with modern art and functional pieces that can really be lived in.
The sunroom is a beautiful bright space to enjoy breakfast.
A relaxed sectional, vintage rug and Apparatus table lamp are a great mix of casual and elevated styles.
I also love how Romanek uses color in subtle, yet striking ways. Her book collection is the means to add vibrancy to this otherwise neutral library. The pops of blue and pink mimic the colors you see in the artwork dotted throughout the rest of the house.
Like the colorful vintage abstract painting serving as the focal point in her formal dining room.
There’s an art to Romanek’s mixing that could end up jumbled and too disconnected in the wrong hands, but she does an amazing job connecting tones, lines and textures that pull disparate pieces together.
But what I really love about Romanek is that she’s self-taught. Less than 7% of all interior design degrees are going to Black Americans, but Romanek did not let that stop her. Instead, she pursued a passion and champions constant learning and self-improvement. Too often women use a lack of experience or formal education hold them back from starting their own businesses – a concern that doesn’t seem to hinder men nearly as much. Brigette is a wonderful example of simply jumping in and trying – obviously to great success. This is a great article about her journey.
I’m certainly getting a ton of inspiration from this house – from wanting to add a more eclectic mix of art to This Old Victorian, coveting an impressive indoor tree and considering starting my own jumbo crystal collection!
I’m excited to watch where Romanek Design Studio goes from here.
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